ENTRY DESCRIPTION
Banishanta is a tiny island of barely one square kilometer, constantly under the threat of the rising waters during the monsoon season, and ruined by climate change. A small riverbank village in Mongla, southern Bangladesh, Banishanta is only reachable via the river Pashur. The island has become home to 100 girls who never imagined themselves destined to life as sex workers, rejected by society, many of whom are still in their early teen years. Unregistered at birth, non of them know their own birthdate, and they possess no passport or document with which to identify themselves. Officially these girls do not exist. They are invisible to society. Also, this fact makes it nearly impossible for them to leave the island in search of a better life after they have completed their time enslaved as sex workers for their Madame. These girls are so deprived that they tend to retreat into their own imaginary world, where they wish to find at least some form of protection. Drugs and alcohol are part of the daily routine as a means to escape the pain of their existence. Being an extremely marginalized group exposes them to the constant risk of abuse, therefore, the isolation on Banishanta Island creates bonds among the girls so strong that they become family. Learning how to live in each other’s company is to deny living in solitude.

CAPTION: Parveen watches as her last customer is leaving to have a bath after intercourse.

AUTHOR
Manel Quiros (1984)

Spanish photographer from Barcelona based in the United Kingdom since 2010. Studied professional photography at the University of Valencia and Visual Communication and Photojournalism in Edinburgh and Glasgow. He has collaborated with; CC ONG, Naya Nagar ONGD, Red Cross Spain, Red Cross Burkinabe, UNHCR (The United Nations Refugee Agency) and WFP (World Food Programme). His dedication to documentary photography has been developed in several European countries, and also in countries such as; Bolivia, Burkina Faso, Egypt, India, Bangladesh, Thailand and Cambodia. He works on long photographic editorial projects.

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