ENTRY DESCRIPTION
Sono un fotografo amatoriale, mi dedico alla fotografia in B/N da alcuni anni, scatto spesso su medio formato analogico. Questa fotografia è stata scattata su ILFORD Delta400, in Campania sul Vesuvio, dove i segni del devastante incendio del 2018 si notano ancora tuttora. Era mattina, cielo nuvoloso quando da uno spiraglio nelle nubi filtra una luce, quasi come se fosse un faro spot ad illuminare quella schiera di alberi che rinascono dopo l' incendio.
Se possibile vorrei una descrizione della valutazione che farete al mio scatto. Mi sarebbe di aiuto per la mia crescita in ambito fotografico.
Grazie
Paolo Venditti
I am an amateur photographer, I have dedicated myself to B / W photography for some years, I often shoot on analog medium format. This photograph was taken on ILFORD Delta400, in Campania on Vesuvius, where the signs of the devastating fire of 2018 are still visible today. It was morning, a cloudy sky when a light filtered through a crack in the clouds, almost as if it were a spot lighthouse illuminating that group of trees that are reborn after the fire.
If possible I would like a description of the evaluation that you will make in my shot. It would help me in my photographic growth.
Thanks
Paolo Venditti
AUTHOR
I am an amateur photographer, about 20 years ago I approached photography with an old digital Fujifilm purchased from a friend. Since then my passion for photography has continued to grow, year after year. Photographing something or someone has always been a way for me to affirm myself, my personality in an increasingly pushed, increasingly frenetic world. Over time I have developed various interests, from landscape photography to architecture and portraiture. For some years now I have approached conceptual photography and documentary photography, finding my true photographic vocation.
Having a camera in my hands, for me, inevitably means entering the lives of others, you can do it abruptly and then the camera becomes an instrument of violence, you can choose to identify with the lives of others, sharing the emotions of whoever finds himself in front of it, the camera becomes a subversive tool, an instrument capable of enhancing the state of mind of whoever finds himself in front of it. In my photographs I apply different shooting styles, sometimes I look for the decisive moment, or I always try to insert something in movement to signify a passage, a fleeting action that exists only for a moment.
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