ENTRY DESCRIPTION
People who seek protection are often forced to risk their lives: Militarily secured borders make it difficult or impossible for people seeking protection to enter the country; increasingly close cooperation with transit countries along escape routes is designed to ensure that people are intercepted as early as possible; secure access routes are virtually non-existent. Thus access to a fair asylum procedure is denied. This is contrary to the Geneva Convention on Refugees and international human rights.

AUTHOR
When encountering the works of Josef Dreisörner, one discovers an artistic position in which conceptual creativity is combined with craftsmanship. Just as the act of creating a picture is an active process, so is the process that his pictures set in motion in the eye of the beholder. Seeing goes beyond simple representational recognition to become a productive process of perception.

His KLIMSCH UNIKAT portrait shots yield perspectives of the human visage with downright surgical precision – an aesthetic approach which may feel alien at first, but is intentional in its expressiveness. Although still committed to high aesthetic standards, in most Josef Dreisörner’s still lifes do not focus on aesthetic issues. Rather, it is his concern as an artist to draw the viewer‘s attention to socially relevant themes. The choice of this subject must indeed be considered as unusual. The fact that the viewer initially reacts in a disturbed manner is a matter of calculation. Only a longer engagement with the work reveals on the one hand the theme that moves the artist, on the other hand it deliberately leaves room for interpretation and should invite further discussion.

Such pictorial statements are mainly realised by so-called large format cameras. Of particular note is the Klimsch Praktika reproduction / process camera built in 1957 with a film format of up to 50×60 cm (20×24 Inch). Photographs are taken analogously on film or with direct exposure on black-and-white positive photo paper. When using the positive photo paper the captured image cannot be reproduced in analog photographic technology, and there is no option of analogue or digital post-processing. The captures on film are realized by means of the Palladium /Platinum Print process.

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