ENTRY DESCRIPTION
Norfolk is famous for its early morning mists. This particular morning, having got down to the coast at Burnham Overy Staithe before sunrise I knew I was in for a treat. The mists rolled in shrouding the harbour and giving the scene a sense of mystery and intrigue.

Shooting at f20 to ensure adequate depth of field and using a tripod, I took numerous exposures, plumping for 1/6th of a second exposure for the final image. Only limited post-processing was required as the mist did most of the heavy lifting for me.

They say no pain no gain. Getting up at 5.00 am is no fun. However, I returned back to my room jubilant by 8.00 am, allowing myself a few hours of well-needed sleep.

AUTHOR
Photography has entranced me since the age of 13 when given my first SLR film camera. Since that moment, it has been a lifelong passion, hobby and now career. Initially, I focussed almost exclusively on monochrome – fine art landscapes, architecture and cityscapes. For the last few years, I have been working in colour, in particular cinematic street photography.

My creative output is strongly influenced by my work within the design and advertising industry. In a competitive creative industry, you quickly learn to recognise the importance of simplicity to create drama and to elicit an emotional response. My recent landscape work following numerous trips to Iceland was well received with numerous images winning awards. Following my Iceland experiences, I formed a working relationship with the Royal Photographic Society and deliver both online lectures as well as leading a number of their online landscape group workshops.

Although I have tended to focus on landscapes, cityscapes and architecture, I have also recently returned to street photography. Living in a city like London, the interplay of a large multi-cultural urban environment and its inhabitants provides a rich tapestry of subject matter.

I order to broaden my street photography portfolio, I have recently embarked on a number of personal street photography projects. As part of this project, I am exploring the ways in which urban environments impact the shadows, silhouettes and reflections we encounter in our streets and public spaces. Finally, I am looking at how architectural design in our cities imposes an informal geometry on our lives.

I am a strong advocate for the importance of storytelling in photography. Although there is a belief that the image itself should communicate the story, I believe that more often than not, an understanding of the context of the photograph and the reasons behind its capture.

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