ENTRY DESCRIPTION
This structure was an architectural space bathed in the traditional Korean emotion of becoming one with nature: one adapts himself to nature, communing with it.
As a Korean pavilion was usually built to appreciate the outdoor landscape rather than to enjoy its use as an architectural struc-ture, its location and surrounding scenery were considered more important than having a showy
appearance. As a result, each pavilion was settled in a location without spoiling the surrounding landscape or being too conspicuous by naturally seeking coexistence with the area around it.
He aimed to reveal Korean emotions and the essence of Korean architectural aesthetics.

AUTHOR
My name is Kim Sim Hoon.
Born in Yeoju in 1959, he is based in his hometown.
I have a stubbornness that doesn't easily follow fashion. Throw away handy digital photos
I prefer to work with complex, sluggish analog large black and white films.
I like new and novelties. I have a strong desire to know what I do not know.
If you think it's worth the challenge, don't hesitate to look for something old.
My excitement about pavilion and sperm is felt in the photograph.
My patience with photography is extraordinary.
If you're not satisfied, there's the patience to look for and find the end.
Looking back at the spring and winter,
If you don't like it, change the sun and find it again.
“Would it be a needle someday if you go without stopping?”
The sword of the mind is sharpened by the mirror of the two hundred.
The same is true for darkroom work.
According to the record, there were more than 1,700 sperm
There are currently 270 registered cultural properties and 300 unregistered cultural properties.
It is said to remain. The filming began in 2008 and has taken 250 sperm across the country.
I'm not a full-time writer, but I want to record sperm with records.
My current job is to continue my career with a large van.

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