ENTRY DESCRIPTION
Adam and Eve, according to the creation myth of the Abrahamic religions, were the first man and woman. They are central to the belief that humanity is in essence a single family, with everyone descended from a single pair of original ancestors. They also provide the basis for the doctrines of the fall of man and original sin, which are important beliefs in Christianity, although not held in Judaism or Islam.
In the Book of Genesis of the Hebrew Bible, chapters one through five, there are two creation narratives with two distinct perspectives. In the first, Adam and Eve are not named. Instead, God created humankind in God’s image and instructed them to multiply and to be stewards over everything else that God had made. In the second narrative, God fashions Adam from dust and places him in the Garden of Eden. Adam is told that he can eat freely of all the trees in the garden, except for the tree of the knowledge of good and evil. Subsequently, Eve is created from one of Adam’s ribs to be his companion. They are innocent and unembarrassed about their nakedness. However, a serpent convinces Eve to eat fruit from the forbidden tree, and she gives some of the fruit to Adam. These acts not only give them additional knowledge, but also give them the ability to conjure negative and destructive concepts such as shame and evil. God later curses the serpent and the ground. God prophetically tells the woman and the man what will be the consequences of their sin of disobeying him. Then he banishes them from the Garden of Eden.

AUTHOR
“Photography connects the real world with the universe of emotions. It reconciles the mind with the soul. It allows me to walk the path of continuous development. Per aspera ad Astra (…)”.

Photographer holding the international title of Artiste Fédération Internationale de l’Art Photographique (AFIAP) and the title of Artist Photographer (AFRP) and an actual member of the Fotoklub of the Republic of Poland.

Radek’s photography has a universal quality, with a distinct focus on people, understood in an exceptionally broad sense. His open-minded approach allows him to blend various forms within this artistic field, for example, by creating narrative portraits or nudes in different worlds and dimensions. Occasionally, he delves into landscapes and saute architecture. He tells stories, describes emotions and sometimes is solely interested in form. His creativity you can see in award-winning projects Desolate Beauty and Connected to Nature. It is impossible to pass indifferently by the Portraits he creates and how Radek sees the World.

He works both digitally and analog (including, among others, his favorite Nikon FM2 and Pentax 645NII). At times, he combines modern cameras with vintage lenses, (including, for example, his beloved replica of the 19th-century Petzval lens). He is an enthusiast of natural light but occasionally combines multiple types of light. Follow his rapidly expanding portfolio – it’s worth it.

Radek’s lens captures a diverse array of subjects, including movie stars, models, and public figures, as well as ordinary individuals who often become… extraordinary. He photographs in modern spaces, as well as in the ruins of castles or abandoned factories. Occasionally, he also works in the studio. He expresses himself in both black and white but does not shy away from a full color palette. His embrace of diversity reflects an open mind and is an expression of his creative freedom.

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